Maggie Kneen - Children's Author & Illustrator.

Born by the sea in Crosby on the northwest coast of England, I spent my early childhood covered in mud and ink. Drawing, painting, digging in the soil, and watching such treats as 'Noggin the Nog' and later 'The Clangers' were my favourite things to do. I haven't changed much since then.

But one day, whilst visiting my Grandpa, my awareness of my own past was ignited, when Gramps told me he’d discovered that we were descended from the Vikings who settled on the Isle of Man over a thousand years ago. This nugget of archaeological information has formed the sense of identity and the fuel that have kept a fire in my belly and a bee in my bonnet since I was nine years old.
Maggie in Plockton, West Coast of Scotland
Art was what I did best, so that’s what I pursued; but every opportunity to bring history and archaeology into my life has been taken or made. For instance, when studying illustration at Liverpool Art College, I chose to spend a summer on the dig at Norton Priory in Cheshire. When I was studying for an MA in Graphic Design at the Central School of Art and Design (now merged with St. Martin’s) in London,Maggie Kneen. Hamlet and the Tales of Sniggery Woods I overlapped this with the start of an M.Phil in Medieval Art and Archaeology at UCL, and spent a great summer with some new friends on the dig at the 9th century monastic site of San Vincenzo al Volturno in Italy, mostly drawing, recording, drinking wine and trying to piece together bits of 9th C fresco painting, amidst jumping orange spiders, scorpions and earthquakes. Even sharing a bedroom with the crated-up skeletons of twenty-five medieval monks was brilliant!

In 1987, lack of funds dictated that I should leave this behind and find myself work as an illustrator. Maggie Kneen - Architectural illustrationI worked in advertising for the next five years, and did lots of interesting stuff, such as a set of menu covers for the British Airways ‘World Traveller’ flights, a collection of ‘Myths and Legends’ plates for Wedgwood, and a range of baby animal motifs for Martha Stewart, some of which were animated in a commercial to accompany the product.

Everything that I did seemed to have the quality of a children’s illustration, so in 1989 I went back to Italy, but this time with my portfolio of work, and spent four hard days walking around the Children’s Book Fair that is held annually in Bologna. Here I met Eunice McMullen who became my children’s book agent, and I have now illustrated well over thirty picture books, including two “Charlotte’s Web” picture books for Harper Collins, New York. I am currently working on two more E.B.White books for them.

I now illustrate my own stories too, one of which is about a young and very special pig called Hamlet.